Share |

Alkan: Grande Sonate “Les Quatre Âges” Op. 33 – 30 Ans (Video)

The second movement of Charles-Valentin Alkan’s Grande Sonate “Les quatre âges” Op. 33. This movement, in d minor, is in extended sonata form, and is marked assez vite. Subtitled “Quasi-Faust”, it depicts the 30-year-old man fighting and prevailing over his dark side, and has 3 themes: Faust, the Devil (an inversion of Faust’s theme) and the meloncholic Marguerite’s theme. It is the most substantial movement in the sonata. This movement is extremely difficult, featuring rapid chords and octaves, enormous leaps in both hands, sweeping arpeggios, as well a brief, eight-voice fugue. Played by Marc-André Hamelin, video taken from the documentary Super Virtuoso.

  1. 4candles
    July 30th, 2010 at 08:27 | #1

    Amazing! I love Ronald Smith’s recording too, and Raymond Lewenthal’s.

  2. Sorcerer88
    July 30th, 2010 at 11:03 | #2

    perhaps Alkan’s greatest work, being able to take a look over Hamelin’s shoulder on this is awesome. I especially like the editing that focuses on his fingers and only shows Hamelin in the quiet emotional passages, all the daring fingerwork is there to watch!

  3. brianCIM
    July 30th, 2010 at 13:50 | #3

    I have 80% of Hamelin’s work on CD and I have always felt this is his crowning achievement. For some reason this work brings out a different side of Hamelin’s personality/playing. There is an almost satanic drive that is truly frightening. From the astonishing clarity of the 8-voice fugue to the wrath in the scathing chordal sections, Hamelin displays an inner drive that is truly terrifying. Astonishing and unparalleled.

  4. 4candles
    July 30th, 2010 at 15:49 | #4

    How he remains so composed I just don’t know! I only wish they had shown the WHOLE fugal section. His technique is absolutely incredible, but sometimes I feel he takes things a little too fast (just my opinion obviously)…

  5. patricioapaez
    July 31st, 2010 at 00:31 | #5

    thanks for uploading in a much better image quality!!!

  6. OrangeSodaKing
    July 31st, 2010 at 03:45 | #6

    His technique is incredible! And not just virtuosity, but touch, sensitivity, color, and dynamic range… unbelievable! This is performed so well, too! Hamelin doing what he does best: making incredible music!

  7. madlovba2
    August 3rd, 2010 at 08:53 | #7

    Breathtaking perfomance… Hamelin is the boss

  8. OrangeSodaKing
    September 1st, 2010 at 03:31 | #8

    @OrangeSodaKing Although I do think this is very fast.

  9. iplongnin
    September 15th, 2010 at 11:08 | #9

    Surprisingly many wrong notes! (comparing to the studio recording)

  10. AcePro
    October 21st, 2010 at 17:47 | #10

    @iplongnin Comments like these are incredibly disrespectful towards the musician and the music itself.

  11. iplongnin
    October 22nd, 2010 at 09:40 | #11

    Oh, @AcePro, I am talking something as a matter of fact.; Your interpretation about “disrespect” is maybe over sensitive.

  12. AcePro
    November 19th, 2010 at 19:29 | #12

    @iplongnin Yeah, I do get a little oversensitive when it comes to that kind of thing =p

  13. KeithWhalen11
    January 23rd, 2011 at 19:02 | #13

    This gargantuan movement from the sonata is one of my favorite pieces of music ever but I do agree that he is a bit on the quick side in the live performance.

  14. addeex1
    February 24th, 2011 at 18:08 | #14

    @iplongnin Who want’s to sell a studio recording with wrote notes in… Btw who cares if he makes some mistakes the way he plays this is incredible, this is a very hard piece, technically and musical…

  15. auerod
    March 15th, 2011 at 21:32 | #15

    @brianCIM I was introduced to both Alkan and Hamelin by the original Hyperion Alkan disc. I completely agree that this work brings out the best of Hamelin. Obviously, the studio recording has no errors but I really like this live performance. I don’t have a problem the brisker tempo. I think it makes this performance that much more astonishing. My favorite Alkan movement played by my favorite pianist documented by a live video treasure…does it get any better?

  16. auerod
    March 15th, 2011 at 21:33 | #16

    @brianCIM I was introduced to both Alkan and Hamelin by the original Hyperion Alkan disc. I completely agree that this work brings out the best of Hamelin. Obviously, the studio recording has no errors but I really like this live performance. I don’t have a problem the brisker tempo. I think it makes this performance that much more astonishing. My favorite Alkan movement played by my favorite pianist documented by a live video treasure…does it get any better?

  17. twooffour
    May 12th, 2011 at 13:24 | #17

    Is there any version without audio lag?

  18. giuseppe76761
    June 30th, 2011 at 01:36 | #18

    non ci trovo nulla d interessante tranne in alcune parti e’ solo un insieme di mote a casaccio non ha nulla che vedere con i lavori di litz chopin ecc

  19. forgottenbooks
    July 15th, 2011 at 08:45 | #19

    This movement is my favorite.

  20. soulechene
    September 2nd, 2011 at 11:23 | #20

    Qui a influencé l’autre? Liszt? Chopin? ou bien est-ce l’influence romantique en général qui a dicté aux uns et aux autres ces mélodies et harmonies?

  21. fredericfranc
    November 8th, 2011 at 19:56 | #21

    …musical embodiment of the idea of digital sex…Mr. Hamelin kind of could see into the future, evidently…

  22. SuperAfc100
    January 11th, 2012 at 19:19 | #22

    1:13 – Frosty the snowman. sorry I had to do that, I love Alkan but it couldn’t be ignored.

  1. January 26th, 2012 at 22:48 | #1

CommentLuv badge